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Entangled Past
on UWI Press
Nicole Phillip and Laura Trevelyan did not arrive at their collaboration through shared ambition or institutional backing. They arrived through a genealogical database and an email sent with trepidation. That origin story — awkward, human-scaled, shot through with power asymmetry — is the engine of Entangled Past, and it is both the book's greatest strength and its structural limitation. The facts are blunt. The Trevelyan family held shares in Grenadian sugar plantations and enslaved more than 1,000 people. They were compensated when abolition came — the enslaved were not. In 2023, Laura Trevelyan traveled to Grenada to deliver a public apology, accompanied by a £100,000 payment that now funds university scholarships for students from parishes where the family once owned land. The wider Trevelyan family subsequently established a reparations fund. Rastafarian protesters greeted the ceremony with drums and placards reading 'Why sell us out again?' and 'No house slave cannot negotiate for the Rastaman.' The day was defined, as Phillip writes, by both protest and praise. What the book does well is refuse to sand down the friction. Trevelyan describes family members who wanted nothing to do with the apology, who worried about lawsuits and saw no reason to dig up the past. She describes arriving in Grenada 'extremely anxious and trepidatious' and being told by her driver that a radio host was denouncing the apology on air. Phillip, for her part, arrived at the ceremony 'purposefully adorned in the purple robes of my ancestors.' The asymmetry is not resolved — it is narrated. The book's central argument is that the Trevelyan process offers a 'workable model' for reparative dialogue between descendants of enslavers and the enslaved. Arley Gill, chair of the Grenada reparations commission, endorses the framing: the £100,000 is acknowledged as 'a drop in the ocean,' but the structured conversation conducted 'on the basis of mutual respect' is positioned as the transferable element. The model is interpersonal, not structural — which is simultaneously its appeal and its ceiling. This is where a reader needs to decide what they are looking for. If you want a granular, emotionally honest account of what it actually feels like when two people from opposite sides of a historical atrocity sit in a room and try to talk, this delivers. The texture is specific: the veranda overlooking Beausejour plantation house, the students who are first in their families to earn degrees, the phrase 'the gale is unavoidable.' If you want a policy architecture for national-scale reparations, the book is forthright about its scope. It sits alongside the broader Caribbean Community (Caricom) 10-point plan for reparations but does not attempt to substitute for it. The timing is deliberate. Publication coincided with UK Prime Minister Andy Burnham saying he was open to a formal British apology while ruling out financial reparations and announcing a structured dialogue with the Caribbean. The book positions itself as evidence that such dialogue can produce tangible outcomes — scholarships, institutional relationships, public acknowledgment — even at the family scale. Whether that scales is the question Entangled Past raises without pretending to answer. Phillip's closing position is the book's most durable idea: 'Not talking about something doesn't make it go away. It doesn't help with healing.' The book's nerve lies not in its prose style or formal ambition, but in the willingness of both authors to remain uncomfortable on the page, to let the reader see the seams. That is harder than it looks.
Worth reading?
RECOMMENDED
Score
56
/100
Readers following Caribbean reparations debates who want a ground-level account of what dialogue actually looks like in practice — the friction, the compromises, the small tangible outcomes. Also useful for anyone involved in institutional apology or restorative justice work who needs a specific case study, not a manifesto.
Cultural Placement
Like Bryan Stevenson's Just Mercy crossed with a dual-perspective epistolary structure, but operating at interpersonal rather than institutional scale. The mechanism is closer to Deborah Lipstadt's History on Trial — two people forced into a public reckoning they didn't choreograph — than to Ta-Nehisi Coates's Between the World and Me, which argues from personal experience toward systemic indictment. Entangled Past works more like a diplomatic case file with emotional honesty bolted on: the prose is workmanlike, the structure is chronological, and the persuasive weight comes from the specific facts rather than from literary ambition.
Honest assessment
Entangled Past is valuable as a case file rather than as literature. Its power comes from the specificity of its facts — 1,000 enslaved people, £100,000 in scholarships, protesters with drums — not from its prose or formal ambition. The book is honest about its own limitations, which is to its credit, but it leaves the harder structural questions to others.
What Is NOVEL?
56
/ 100
BedrockNews applies a structured analytical framework called NOVEL to cultural works — games, books, film, music, and more.
How NOVEL worksNerve
3/5
Originality
3/5
Voice
2/5
Endurance
3/5
Lineage
3/5
What did the artist risk? What could have failed?
Real personal risk from both authors — Trevelyan faced family opposition and public hostility; Phillip faced accusations of collaboration. The stakes were lived, not literary. The book documents risks taken in the world, less so on the page.
Verified Facts (8)
Trevelyans had held shares in plantations in Grenada and enslaved more than 1,000 people
£100,000 payment from Laura Trevelyan
Trevelyan Grenada Reparations Fund subsequently established by the wider family
UK Prime Minister Andy Burnham said he was open to a formal British apology while ruling out financial reparations
Placards read: 'Why sell us out again?', 'Stay focus on reparations not the sideshow' and 'No house slave cannot negotiate for the Rastaman'
University College London database identified ancestors as enslavers
Arley Gill, the chair of the Grenada reparations commission
Published by UWI Press
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